“I’ve been in relationships before where I am just confused.

And I’m never confused with him.”Lawrence and Aronofsky do seem like opposites in some ways, and there’s the age difference, but the partnership clearly appears to be working.

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And this booze cost only $19.99, I tell her.“Wow,” she says, deadpan. I’m going to save it for company.”A few days prior, Lawrence had visited with the acclaimed American painter John Currin for the work that appears opposite. “He took photos, and posed me like one of those French girls. At 26, Lawrence is already one of the most successful and exalted actors on the planet.

“This is delicious,” Lawrence says, pulling a blanket over her sweater and wide-leg Zimmermann pants. She almost never does this: sit around, watch the fire, do not much of anything.

“I think people saw [the hacking] for what it was, which was a sex crime, but that feeling, I haven’t been able to get rid of it.

Having your privacy violated constantly isn’t a problem if you’re perfect. When my publicist calls me, I’m like, ‘Oh, my God, what is it? I’m always waiting to get blindsided again.”This is now an insta-judgment Instagram world, of course.

(OK: It is not about sea horses from outer space who take over the White House.)The public’s first clue as to what lurks inside is an unsettling, multilayered film in which Lawrence gives a devastatingly beautiful performance that is equal parts vulnerability and rage and unlike anything she’s done before.

The film jarred me for days after I saw it, and I want——to see it again. but also works on an allegorical plane, too,” the soft-spoken director tells me in a New York City editing suite in early summer.

I think it’s going to be the kind of film that people argue about at dinner parties for months, if not years. A celebrated director (] works as a truthful, realistic relationship movie . At the moment, only a handful of people have seen the film, and Aronofsky is cautious about saying anything revealing.

I also can’t believe I took Lawrence to a sensory-deprivation tank after she saw it. “Different people will see it different ways, and I’m always inspired by films you remember and are still talking about a few days later.”After writing the script in a flurry—five days, he says—Aronofsky was thrilled to get Lawrence for the part, considering her hectic schedule and the fact that would begin with three months of rehearsals in a Brooklyn warehouse involving the primary cast, which besides Lawrence and Pfeiffer includes Javier Bardem and Ed Harris.“To get that type of commitment from an actor is hard,” he says.

Lawrence’s real home “broke” while she was away—a madcap story involving crystals and . “And I was like, ‘Please get rid of these; I don’t want people to come over here and think I’m a crystal person.’ ”“But everyone told me, ‘You can’t do that. You have to have the crystal lady who put them in move them. Lawrence praises Grande’s take as “spot-fucking-on”—even if she takes issue with the notion that she’s ever described herself as a “regular person.”“That’s what other people have said,” she says.

well, let Lawrence tell it:“When I first moved in, the house was crystalled out—crystals everywhere, and geodes,” she explains. “You can’t go wrong being yourself, as cheesy as that might sound.”Lawrence’s normality is one of her signatures, so much so that the singer Ariana Grande spoofed it on a “Celebrity Family Feud” sketch with an impression (“They told me not to do a game show, but I was like, ‘Screw it, I can have fun, I’m a regular person’ ”).

Aronofsky describes Lawrence’s process during rehearsal as almost low-key—“She’s in a very Zen, peaceful gear”—and says she didn’t unleash the full arsenal of her performance until cameras were rolling.“It’s such a raw, natural talent she has,” he continues, with a touch of wonderment. But she says there were moments in that were unlike anything she’d experienced as a performer. “It was a tent that had pictures of the Kardashians and wrapped, stories began circulating that Lawrence and Aronofsky were an item.